The Bread of the Servant
An Easter Play in Four Acts
by
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ACT I , Scene 1 Scripture references: Genesis 1:1,3 / Isaiah 9:2 / Zechariah 3:8-9 / John 1:1-5, 10-12 A room in a small house on the island of Patmos. There is a raised platform upstage left, on which stands a small table and bench which can seat two people. On the table there are 1st century writing implements, scrolls, pieces of parchment and a candle sitting upright in its stand. A Jewish prayer shawl is draped over the front of the communion rail downstage center. The stage is dimly lit. An old man, JOHN THE ELDER, makes his way slowly, almost painfully, down the center aisle. He softly chants a psalm of praise as he walks. When he reaches the stage, he walks to the prayer shawl and drapes it over his head. Facing the audience, he begins to pray aloud. JOHN THE ELDER: Lord, I thank you for allowing your servant, John, one more precious day in which to serve You. I know my time here is short, and I have so much to tell the world about Your Son. [Finishing his prayer, he removes the shawl and leaves it where he found it. He makes his way towards the platform, then moves up the steps. With a small, grateful sigh, he settles down upon the bench. He lights the candle; the stage lighting should reflect this. Then he picks up one of the scrolls and begins to read thoughtfully, with awe in his voice.] The scroll of Genesis says, " In the beginning God created the heavens and the earth...And God said, 'Let there be light,' and there was light." [Inspired by what he has just read, JOHN picks up a writing tool and begins to write on one of the pieces of parchment, saying the words aloud as he writes.] In the beginning was the Word, and the Word was with God, and the Word...was....God... [He puts his writing tool down, pausing briefly. He is totally enraptured by his vision of God’s greatness. Picking up the tool once again, he writes, again speaking the words as he writes.] He was with God in the beginning. Through Him all things were made; without Him nothing was made that has been made. [He pauses again. This time he picks up a scroll lying on the table, unrolls it, and reads aloud.] The scroll of Isaiah says, "The people walking in darkness have seen a great light; on those living in the land of the shadow of death a light has dawned." [These last words are delivered with emphasis. Laying down the scroll, he picks up the candle and studies it for a moment.] In Him was life, and that life was the light of men. [He writes what he has just said. Then he turns his attention once more to the candle. Standing, he picks it up as if he were illuminating something beyond his work space.] The light shines in the darkness, but the darkness has not understood it. [He sets the candle down. Picking up the second scroll again, he reads from it. ] The scroll of Zechariah says, "Listen, people! I am going to bring my servant, the Branch...and I will remove the sin of this land in a single day." [Putting down the scroll, he sits and begins to write again, speaking the words as he writes ] He was in the world, and though the world was made through Him, the world did not recognize Him. He came to that which was His own, but His own did not receive Him. Yet to all who received Him, to those who believed in His name, he gave the right to become children of God... [DIANA enters from downstage right and crosses to the steps leading up to John's platform. She is carrying a wooden plate with bread on it and a cup of water.] DIANA [Matter-of-factly]: Come, old John, it's time to eat. Hurry and finish your dinner quickly; I've got better things to do than wait on you. JOHN THE ELDER [With good humor, despite her ill treatment of him]: So it is supper time already? DIANA [Hands on her hips]: If you wouldn't spend so much time writing your stupid books, you'd know how the day passes. JOHN THE ELDER [Rising, he makes his way slowly down the steps to receive the food, speaking as he goes.]: Diana, we all have so very little time. I must tell all I know about the Master before He calls me home. DIANA [Irritated]: Forget about escape, old man! The governor is not likely to pardon you any time soon! JOHN THE ELDER [With a chuckle]: I was not speaking of the governor's pardon. I was speaking of God's summons. DIANA: The gods!? Who cares about them? JOHN THE ELDER [Patiently]: Not the gods, Diana ! One God -- one true God! DIANA [Sarcastically]: True to what ? JOHN THE ELDER: Not "true to what," Diana. True to whom…true to Himself . DIANA: Now, listen, old man! I don't care how many gods there are; one or a thousand, they are all the same. Sadistic, they are. Always causing trouble for mankind. I don't bother them, and they leave me alone. A blood sacrifice now and then to keep them satisfied... JOHN THE ELDER [Smiling, he produces a crude cross from a pocket in his robe as if it were a precious thing.]: Have you seen what I keep with me at all times? DIANA [Spitting towards it angrily]: A curse on that accursed thing! Why did you make such a thing! My father died on a cross in Jerusalem sixty years ago because the Romans said he was a thief! [Spitting again and getting emotional] A curse on their crosses! A curse on them!! JOHN THE ELDER [Quietly and directly]: My Master was crucified on a Roman cross sixty years ago. DIANA [Reacting in horror]: And you keep that accursed thing with you ? JOHN THE ELDER [Holding it higher and remembering]: My Master served His Master by sacrificing Himself on a cross. DIANA [Hesitantly]: Who was His Master? JOHN THE ELDER: God the Father. DIANA [Reacting with shock and sarcasm]: A god as a father? Impossible! Absurd!! And why would a fatherly god order his servant to die? JOHN THE ELDER [Going back up the stairs to sit down, and beckoning her to follow him]: It is a very long story, Diana; too long for an old man to tell standing up. Will you sit with me awhile as I explain? DIANA [Turning as if to go, and taking a few steps]: I have better things to do than listen to fables, old man! JOHN THE ELDER [In a very authoritative, yet gentle voice]: If you listen to fables, you will learn only morality. If you listen to the story -- the true story -- I have to tell you, you will learn LOVE . DIANA [Stopping in her tracks, she turns her head, and asks cautiously]: Why are you here, old man? Why have they locked you away on Patmos like this? JOHN THE ELDER: Because I dare to believe that love allowed itself to be nailed to a cross. [JOHN resumes his seat at the table on the platform. DIANA walks slowly back to the steps, goes to the top, and sits down next to him.] *** BLACKOUT ON PLATFORM. MAIN STAGE IS ILLUMINATED ***
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About the Book
This script was written to serve a small church drama group with a big heart for witnessing. There are speaking roles for 27 actors, and several non-speaking parts, but it can be performed with fewer actors if need be. Scenery does not have to be elaborate, but two defined performance areas are needed. Stage lighting is also an important element, but it can be fixed or portable. The play centers around the Apostle John in his old age, attempting to explain to Diana, a bitter, jaded slave woman, the life-changing impact Jesus can have on an open heart. John recalls for Diana the events of the Lord's earthly ministry, explaining his own transformation from a headstrong young fisherman into a more spiritually mature man longing to serve his Beloved Master.
About the Author
Always fascinated with actors and acting, Elizabeth Honaker has been writing scripts since she was in grade school. When she experienced the power of the Risen Lord in her life, she mistakenly thought her drama days were over. However, an exposure to Dorothy Sayers' monumental radio plays on the life of Christ soon changed her mind. Before she was 30, she was writing skits and short plays for her church in Eaton Ford, England, where she and her family lived and worshiped for almost a dozen years. In 1990, now back in the United States, she became the Christian Drama Director of the Wesley Grove Disciples in Hanover, Maryland. This started a period of script-writing which has produced 13 plays, of which THE BREAD OF THE SERVANT is the first to be published by Westbow Press. Elizabeth now lives with her husband of nearly 40 years, Allen, in beautiful Sparta, Tennessee. She teaches developmental writing at the college level and holds literature and writing seminars for home schoolers. She also teaches beginning and intermediate piano to all ages. She is mother to two grown children, James and Christine, and grandmother to Austin and Garrett Escobar.